Tuesday, June 30, 2015
I recently read the book, "Band of Brothers", by Stephen E. Ambrose about "Easy" Company and its progress during World War II from parachuting in prior to the D-Day landing in 1944 to the occupation of Hitler's "Eagle's Nest" at the end of the war. I also watched the acclaimed TV series adapted from the book.
The leader of Easy Company was Major Richard D. Winters. His training and discipline is outlined here in a post from the blog, "The Art of Manliness". I love the name of this blog!
Described here is the discipline and mental and physical preparation for sustained battle that he put himself through. While extreme, to say the least, it is certain that this training and a good deal of luck is what got Winters and his men through the D-Day landing, the Battle of the Bulge and many other major conflicts during World War II.
There is much food for thought in these paragraphs. Winters' single-minded, thorough devotion to physical and mental toughness says a lot about his character and maturity.
As musicians, we do not need to subject ourselves to this kind of asceticism, but perhaps there are methods here that can be adapted to our discipline as well.
The job market in the classical performing field is so tight, that a young player must adopt a serious and disciplined regimen for perfecting the art in order to succeed.
Read here about some things I chose to do while in music school in order to achieve success.
Monday, June 8, 2015
As stated in a previous post, it's difficult to get a true picture of how you come across while playing.
The noise made by the mechanism of the bassoon can be very distracting. Sometimes the mechanism in general is noisy. Sometimes it's just one key. The loud clang of metal on metal when a particular note is fingered can be like hearing a piano with a key sticking!
Time spent going to a repair technician or dealing with the noise yourself can be viewed as time away from practicing. With procrastination, the player can get used to the metallic sound.
I recall times when, after getting my instrument serviced, it seemed as if my sound were smaller due to the newly quieted mechanism. I had become so used to the noise that, to me, it seemed part of my sound!
Given the tough job market for musicians, it's wise to eliminate any aspects of your presentation that might detract from a positive impression. All things being equal -- accuracy, good intonation, good rhythm, musicality, etc., it could come down to a (stupid, yes) thing like a noisy mechanism, or other distraction.
In a day-to-day setting, listening to your clanging keywork can be annoying to colleagues around you!
So, do your colleagues a favor and get your bassoon to a repair technician or quiet it yourself!
In a previous post, my repair technician, Ken Potsic, recommended certain items to keep with you for on the job maintenance.
By the way, what's wrong with the photo above? Anyone want to venture a guess?
Wednesday, June 3, 2015
With this post, I'm starting a new series on a topic I'll call "Nasty Habits".
Much of this blog is devoted to advice for students and young professionals. It is with this in mind that I commence this series.
The task of playing an instrument well can be so all-encompassing that certain aspects of playing get ignored after a while. Often it takes a teacher or trusted colleague to point out lapses in your technique or notice when you've developed a bad habit.
It's nearly impossible for a bassoonist to hear how she REALLY sounds while playing. What sounds right to the player doesn't usually match up completely with what sounds right to the listener. Since we play for an audience (real or imagined), it is the listener's perspective that the player must keep in mind at all times.
One of the worst habits that some bassoonists develop is the audible leaking of air around the reed from the embouchure. When it becomes habitual, often the player stops noticing it completely!
Telling an otherwise great bassoon player that he is leaking is a bit like telling someone he has bad breath! There is the embarrassment of bringing it up, but usually, the person is glad you did!
I hope we can all agree that the sound of air leaking from the embouchure should not be part of a great bassoon sound!
Here is an article from my website which provides background to the problem and some solutions for plugging the leak.